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In this section are films that deal with more serious themes, such as crime, passion, troubled romance and hard-hitting human stories.

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  • Elle l'adore

    Elle l'adore

  • Les Anarchistes

    Les Anarchistes

  • Hors la loi

    Hors la loi

  • Un prophete

    Un prophete

  • Mediterranea


  • Chaos


  • Jalousie

    La jalousie

  • Suzanne


  • Au nom de ma fille (Kalinka)

    Au nom de ma fille (Kalinka)

  • Mal de pierres

    Mal de pierres

  • La Proie

    La Proie

  • 11.6


  • La prochaine fois je viserai le coeur

    La prochaine fois je viserai le coeur

  • Les cowboys

    Les cowboys

  • Après le sud

    Après le sud

  • Chocolat


  • L'Atessa


  • La fille inconnue

    La fille inconnue

  • Belle de jour

    Belle de Jour

  • La femme tranquille

    La femme tranquille

  • Un peuple et son roi

    Un peuple et son roi

  • Belleville Story

    Belleville Story

  • Nelly


  • 1905

    1905 - The Winds of Passion

  • Frères Ennemis

    Frères Ennemis (Close Enemies)

  • L'Été meurtrier

    L'Été meurtrier

  • Les fantômes d'Israël

    Les fantômes d'Israël

  • Guillaume, la jeunesses du conquérant

    Guillaume, la jeunesse du conquérant

  • Une saison en France

    Une saison en France


We follow the journey of two Africans from Burkina Faso through Algeria and Libya before eventually reaching Italy. It contains all the ingredients that we have become accustomed to seeing regularly on the news. A trek across a desert, robbed by bandits who were probably primed by the very people who were arranging their passage, and finally the perilous boat journey to Italy.

This film shows graphically what it must be like to be dependant on a range of people who for the most part wish you weren't there.

In Italy they meet up with other Africans and are introduced to a squat, which wasn't quite what they expected. In terms of work opportunities, there aren't any, and they are exploited as cheap labour picking oranges. However, the lead character, Ayiva, is not only a good worker but is also adept at developing relationships, leading to him being welcomed to the home of an Italian family.

Local villagers are far from happy about the presence of the Africans and in time tensions boil over leading to attacks on the immigrants. This provokes retaliation, with the authorities rounding them up and sealing off their squats.

Will Ayiva stay, or will he return to Burkina Faso, where he has a partner and a daughter. Earlier in the film he is seen speaking to them on Skype, turning off the webcam at one point so that they don't see the tears in his eyes.

The film was released from Italy, appearing at the 2015 Cannes Festival, and while the Africans speak French much of the dialogue is in fact in Italian, as are the credits.
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