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In this section are films that deal with more serious themes, such as crime, passion, troubled romance and hard-hitting human stories.

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  • Elle l'adore

    Elle l'adore

  • Les Anarchistes

    Les Anarchistes

  • Hors la loi

    Hors la loi

  • Un prophete

    Un prophete

  • Mediterranea


  • Chaos


  • Jalousie

    La jalousie

  • Suzanne


  • Au nom de ma fille (Kalinka)

    Au nom de ma fille (Kalinka)

  • Mal de pierres

    Mal de pierres

  • La Proie

    La Proie

  • 11.6


  • La prochaine fois je viserai le coeur

    La prochaine fois je viserai le coeur

  • Les cowboys

    Les cowboys

  • Après le sud

    Après le sud

  • Chocolat


  • L'Atessa


  • La fille inconnue

    La fille inconnue

  • Belle de jour

    Belle de Jour

  • La femme tranquille

    La femme tranquille

  • Un peuple et son roi

    Un peuple et son roi

  • Belleville Story

    Belleville Story

  • Nelly


  • 1905

    1905 - The Winds of Passion

  • Frères Ennemis

    Frères Ennemis (Close Enemies)

  • L'Été meurtrier

    L'Été meurtrier

  • Les fantômes d'Israël

    Les fantômes d'Israël

  • Guillaume, la jeunesses du conquérant

    Guillaume, la jeunesse du conquérant

  • Une saison en France

    Une saison en France


Bell de Jour
Belle de Jour
Regarded as a classic of French cinema I took the opportunity to watch this film when it became available on Amazon Prime. With an X-rating and a reputation to match I did expect something a bit more raunchy. It does indeed have a sexual fetish theme and scenes, to quote the British Board of Film Certification, but by modern standards it is actually not very explicit.

The story, however, is what identifies this film as groundbreaking. Catherine Deneuve plays the wife of a successful surgeon with all the bourgeois trappings that comes with her position. But married life does not satisfy her and she has a poor conjugal relationship with her husband. She fantasises extreme sexual encounters both in dreams and by day, with flashbacks suggesting that this is because of being abused as a child and feeling worthless.

She becomes fascinated with les maisons, a euphemism for the Paris brothels. Having obtained the address of one from a friend of her husband, she plucks up the courage to introduce herself to the Madame. It is a high class establishment where she joins two other women. After some initial doubts she soon becomes the one that the men want. Obviously high class and virginal in appearance, with underwear the cost of which could probably feed a family for a month.

The scenes drift between the maison, her incomplete life with her husband and occasional dreamed fetishes, although in one bizarre encounter she actually lives out something approaching one of her dreams.

It all comes down to earth when she becomes too deeply involved with a petty gangster, who for his part wants to own her, the only thing in the way being her husband. He deals with this problem in the way that gangsters do, leaving Belle distraught.

The final scene is one that will cause you to rethink the whole film, and to reanalyse what was real and what was imaginary. I expect it is unlikely that you will succeed completely.

For its time this film was undoubtedly a revelation, both for its theme and the ambiguity it planted in the minds of audiences.
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