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In French the word
comédien translates as actor, while comédie is, simply, comedy in English. With this linguistic link between the players and the comedy genre it's hardly surprising that the French are really good at cinema comedy. After all, it goes right back to the Lumière Brothers, the fathers of modern cinema.
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Content

 
  • Qu'est-ce qu'on a fait au Bon Dieu

    Qu'est-ce qu'on a fait au Bon Dieu

  • Une Heure de Tranquillité

    Une Heure de Tranquillité

  • Bienvenue chez les Ch'tis

    Bienvenue chez les Ch'tis

  • Les femmes du 6e étage

    Les femmes du 6e étage

  • La Fée

    La Fée

  • OSS117: Le Caire, nid d'espions

    OSS117: Le Caire, nid d'espions

  • Les aventures extraordinaires d'Adèle Blanc-Sec

    Les aventures d'Adèle Blanc-Sec

  • Une famille à louer

    Une famille à louer

  • Intouchables

    Intouchables

  • L'École buissonnière

    L'École buissonnière

  • Pension compléte

    Pension compléte

  • Mon oncle

    Mon oncle

  • Comme un avion

    Comme un avion

  • Potiche

    Potiche

  • Les goût des autres

    Les goût des autres

  • Chic !

    Chic !

  • La dorMeuse Duval

    La dorMeuse Duval

  • Paris pieds nus

    Paris pieds nus

  • Jalouse

    Jalouse

  • Le retour du héros

    Le retour du héros

  • Un homme à la hauteur

    Un homme à la hauteur

  • Le Correspondant

    Le Correspondant

Archive


L'École buissonniere
L'École buissonnière
A delightful French comedy-drama set in the forests of Solonge. This film is a treat for anybody who enjoys nature in addition to telling a heart-warming story.

The film begins in 1927 Paris, where after the war there are many orphans. A woman named Célestine arrives at an orphanage where she is asked if she would take a young boy named Paul, who was originally from the area in Solonge where she lives. She is reluctant, and we detect that this boy features in her past, although we do not learn any more at this stage.

When they arrive back at Sologne we see that Célestine is in service to the local Count. Her husband, Borel, is the gamekeeper on the Count's estate. She introduces Paul as her cousin's son, which tells us that his real identity is best kept secret. He isn't there long before he learns of Totoche, the local poacher, characterised superbly by François Cluzet. Borel's main objective in life is to entrap Totoche in the act, this being all the more amusing since Totoche has a thing going with Célestine, who acts as an advanced warning of Borel's plans. Initially Totache wants nothing to do with Paul, but after Paul rescue's his dog from the river, the two gradually become friends, with Paul lapping up Totoche's immense knowledge of the life of the forest. As a comedy-drama this film could easily double as a nature documentary.
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